After 20 years in a coma, Debora wakes up to discover that everything around her has changed, but still, life has not changed. She preferred to stay away, so she got back to her Alaska white space,to the world she created.
Life is an endless, useless struggle. It begins with agony and ends as it began, flat, absurd and doomed to failure. Time becomes the space; separated into three parts, a space for each character, they struggle to reach the water barrel as the cello player travels the length of the stage with a static monotonous speed until the end of the act.
Waiting for the speaker to come, the main character and his wife are receiving guests. The speaker did not show up but instead, a fish was thrown on the stage to die underneath the gazes of the audience.
Gregor escapes life, work and family pressure; he went into a voluntary isolation against the suffering which came upon him from human relationships. After his metamorphosis he imprisoned himself in his room, which gets narrower with depth as the perspective lines approaches to reach the vanishing point (square) on the background wall of the theater.
It’s the image of the ‘female’ left alone, waiting for her ‘male’ to get back, or afraid he might leave. Three female characters are facing the fear of waiting, remembering or being abandoned.
After the death of his mother the solo character on stage suffers from sever psychotic symptoms of love, hate, sexual frustration, and paranoia. He isolates himself in His mother’s house that he rarely gets out from, it’s a wide closed space with a closet where he can cry and a shower that he hates to go into.
Thrown up on stage, the main character found himself in an electronic and digital age, he has to chose between retrying or aborting; either way he will fail.
>:/Retry, abort, fail?